My first Cusk happens to be a confusing one. I've been drawn to her works primarily because of the gorgeous covers. I admit I dived into this one with hardly any background knowledge other than seeing it on someone's best of 2021 list. (To be fair, though, it really doesn't take much for me to include a book into my mental TBR list. I only need one person to recommend it. I don't even need to know their reason for recommending it - as long as I respect the person enough then I will gladly read anything they recommend. All this to say that I have had a lot of misses throughout the year because I do not know how to curate my list.) I had no expectations, good or bad, for this book so I can't say I'm disappointed per se. I'm just confused, I guess.
Second Place has some good moments and I often found myself connecting with the main character in unexpected ways. My problem is that it takes awhile to get to that understanding. Perhaps it's the way Cusk writes or maybe the problem lies with me and my resistance to obfuscation of language in the name of artistry, but I found myself having to read some lines several times before it starts to make an iota of sense and sometimes even then, the point still eludes me. I would have tolerated this if the work was atmospheric enough that I could go on with feeling my way through it but it failed to that as well. The only feeling I get was weariness because the characters were neither real enough to feel relatable or unreal enough to be magnetizing.
The story (if it even matters) takes place in a marshland where our main character M. invites a painter, L., to her guesthouse because she was once drawn to his art and hopes to have him uncover something in her as well. It sounds uncompelling because the plot really doesn't have much to do with what the book is really about (which is woman makes philosophical observations about her womanhood through her relationship with an asshole stranger, her stoic husband and her daughter).
Regardless, this book has some choice passages that I really liked.
"...about how lonely and washed up I felt, about how he never gave me any real attention of the kind that makes a woman feel like a woman and just expected me to sort of give birth to myself all the time, like Venus out of a seashell. As if I knew anything about what makes a woman feel like a woman!"
Her womanhood is a performance and her lack of audience in her husband throws her out of loop, forces her to define herself in her own terms which she finds herself unable to do. I liked this line mostly for the imagery of birthing yourself, giving yourself form and definition "all the time", every day, every minute as if we are formless blobs that can only take shape once we decide to. I think this part of what makes this book so hard to digest is because you half-expect M. to be a perfect feminist icon because that's such a common trend with mainstream media - this woman who is so in control of her destiny and doesn't allow any man to get into her head - yet here we have M. who almost seeks the male gaze. It gives the reader a pause, a moment to reflect if we are meant to relate to this outburst or not.
"for Tony a view has a kind of spiritual significance, not as something you describe or talk about but as something you live in correspondence with, so that it looks back at you and incorporates itself in everything you do."
I love this because I am exactly like this.
"But for me there is a healthy kind of talking, though it's rare - the kind of talking through which people create themselves by giving themselves utterance"
Another example of M. seeking an audience but this time she is creating herself through her own words, her own realizations. Nonetheless, she requires an audience, perhaps as a mirror through which she can see herself, give herself form, to "birth" herself.
I meant to quote her every line that I had bookmarked but that's too much chore. Anyway, I'm feeling lazy now so I'm going to end it here. Here's to more half-assed "reviews"!