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This book feels like a lovechild of several books. Frankenstein would be the most obvious comparison. But it also reminded me of Diaz's Trust in that there are multiple versions of the story. Poor Things is a bit more satisfying in this respect because the 'real' version is a bit more ambiguous. It also reminds me of Suskind's Perfume if only because of the vibe it gives off.

The most fascinating bit for me was Bella's leftist awakening (at least, according to her husband's book). It was very satisfying for me to see her argue for love and compassion amidst the men in her life telling her that the world is inherently bad or that others need saving but only if it comes from the superior race.

I do think that the book ran a bit longer than it should have. At one point I could not wait for it to be over.

I don't have much to say really. I was quite distracted by the end of it. Although it was a fascinating read, it couldn't sustain that momentum until the very end.
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If I were simply to retell the plot of the novel to you, I'm sure it would not sound appealing. The story at face-value is simple, almost boring. It has been done before and will be done in the future. The appeal of this book is in the way it is told. The characters' feelings and actions are familiar. Ferrante's awareness of her characters' emotions are astute and wonderfully portrayed.

Other than this, thought, I find that I have nothing else to say about the book. It was a fun read and I found myself engaged in the story. I was invested in how events would play out. I also really enjoyed the gradual reversal of who the title is referring to. However, I find that it didn't offer me much beyond that momentary entertainment.

This could be fun for getting you out of a reading slump. I'm also a bit intrigued with the rest of the novels since this is a four-part series but not enough to go out of my way to buy them. Maybe if I didn't have anything else to read? I found out that this has a TV adaptation and I can see how it could potentially work better as a TV series.
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I am usually not one to wax poetic during new year. I thought dividing the passage of time into neat months and years is primarily for convenience's sake and so saying this or that year is good or bad didn't mean much to me back then. I suppose that's because years tend to blend into each other for me. Nothing significant happens to set one year apart from another.

However, this year has been a particularly good year for me. You need only to scroll down to get a glimpse of how down I was last year. It was a bad time for me and I thought I would continue to look back on it with sadness and regret. Not to sound banal but this year makes me want to believe that everything happens for a reason. Special things happened to me this year that was only possible because of the events that transpired last year.

I do not know what the future will bring. I want to believe that things will continue to look up but obviously I don't know that for sure. At the very least, I will be motivated by the fact that this year happened, that there is indeed a silver lining.

This year I rekindled old friendships, learned intimacy and did things that made me happy. I am grateful that this year happened to me and that I allowed things to happen to me without resisting. If I had continued to overthink, I don't think I would reach this stage I am in now.

I hope next year will be just as good but if it doesn't I will continue to face it head on.
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I have thoroughly neglected this account. I started out with so much verve to actively engage with books that I've read by reviewing every single one, no matter how little I have to say about them. Obviously, that didn't happen. Work has been very hectic, I've been busy with my personal life and to be perfectly honest, I just have frighteningly very little to say about anything.

Anyway, I finally got a personal PC so I am once again feeling motivated to post more frequently. This list is purely for documentation purposes. I don't want to contribute to this weird culture that bookish communities only have where everyone seems to be flexing on how many books they have read in a year. This list is mostly an excuse to post something today. I have also noted down the dates when I finished each book just to track my most productive reading months.

Merry Christmas to you all!

1. Wolf Hall by Hilary Mantel (1.2)*
2. Bring Up The Bodies by Hilary Mantel (1.8)*
3. The Mirror and The Light by Hilary Mantel (1.26)
4. The Road by Cormac McCarthy (2.2)
5. Freedom by Jonathan Franzen (2.13)
6. Klara and The Sun by Kazuo Ishiguro (2.16)
7. The Assassination of Margaret Thatcher (2.17)
8. White Noise by Don DeLillo (2.25)
9. The Colony by Audrey Magee (3.4)
10. Devils by Fyodor Dostoyevsky (3.24)
11. The Scar by China Mieville (4.15)
12. A Place of Greater Safety by Hilary Mantel (4.22)
13. The Housekeeper and The Professor by Yoko Ogawa (4.25)
14. The Broom of the System by David Foster Wallace (5.5)
15. The Three Body Problem by Cixin Liu (5.13)*
16. New Dark Age: Technology and The End of The Future (5.22)
17. The Dark Forest by Cixin Liu (5.28)*
18. Lonely Castle in The Mirror by Mizuki Tsujimura (6.1)
19. Tomorrow and Tomorrow and Tomorrow by Gabrielle Zevin (6.24)
20. Braiding Sweetgrass by Robin Wall Kimmerer (6.25)
21. A Passage North by Anuk Arudpragasam (7.6)
22. This is How You Lose The Time War by Amal El-Montar and Max Gladstone (7.15)
23. Ambergris Trilogy by Jeff VanderMeer (8.16)
24. The Giant O'Brien by Hilary Mantel (8.22)
25. Both Flesh and Not by David Foster Wallace (9.3)
26. Pedagogy of The Oppressed by Paulo Freire (9.14)
27. Bolla by Pajtim Statovci (9.21)
28. The Remains of The Day by Kazuo Ishiguro (9.25)
29. Trust by Hernan Diaz (10.10)
30. The Dispossessed by Ursula K. Le Guin (10.22)
31. The White Boy Shuffle by Paul Beatty (11.4)
32. Railsea by China Mieville (11.26)
33. The Pale King by David Foster Wallace (12.21)
34. The Sellout by Paul Beatty (12.30)
*Re-read

I finished less books this year but I don't mind too much. This year has treated me very well. I hope next year will be just as good to me. :)
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I wanted to start this year right by rereading the first two books of the Wolf Hall trilogy so I can finally read the last book. I've been looking forward to it but I wanted to get the full experience by freshening up my memories of the first two books. Wolf Hall is every bit as good as I remember it. Maybe even more so because now I have a better grasp of the characters, which was the main challenge when I first read it.

As with every great books, there's an accompanying sadness at the idea that you may never find a book quite as good. Mantel ignited an interest in historical fiction in me but I fear that no one can do it quite like her. Admittedly, this is a baseless presumption because I haven't read much (or any?) historical fiction. I intend to read every book that Mantel has put out just to fill the void that the Wolf Hall trilogy will surely leave in its wake once I'm finished with it.

I don't know much about England's history but I believe Cromwell is widely regarded as a villainous character. It amazes me how Mantel was able to look beyond that to create a Cromwell that has a softness you would normally not associate with such a harsh historical figure. Mantel's Cromwell is loyal not just to his master but to those who are under his wing. It made me want to believe that everything he did was justified.

Mantel's writing has so much wit and style. It will perhaps require some getting used to but I love it. I'm going to jump straight in to the second book. I probably won't be able to finish it fast because I get back to work tomorrow but I'm excited, nonetheless.

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I have been wanting to read this book for so long that I think the expectations just kept building and building until the real thing had no chance to catch up to it anymore. Not to say that this book is bad, of course. I think it would be hard to find one person in this tiny planet who would consider this a bad book. I think Stoner is so universally beloved, which is part of the reason why I was so keen to read it and then a bit disappointed. The problem really is that I read it with the expectation that I would have a life-changing realization. I also read it while I was pre-occupied with more mundane and boring matters like work and money. This book is more about the abstract, the inner life. I felt I had not emotional capacity to worry about my inner life.

Nevertheless, Stoner managed to break through that wall. Despite the fog that my head was in, the ending still managed to speak to me. There is so much about Stoner that resonated with me and so much that I envied. The pivotal moment in Stoner's life where he fell in love with literature was a familiar scene to me. Like him, I also took a compulsory class and quickly fell in love with it. However, unlike Stoner, I never had the courage to act on that love. Now I enjoy snippets of philosophy but I think I will never achieve the same level of passion that I had when I first discovered it. Towards the end of Stoner's life he was talking about the things that he couldn't do and the failures that he had in his life. What made the ending sequence so beautiful was the evident lack of regret. Stoner knew he didn't live a 'rich' life but he did live a life that was his own. It was representative of the things that he wanted, even though he couldn't see everything through - not his marriage, not his love affair, not his teaching career. Somehow, he always fell short. There was something so poignant about the last chapter. It wasn't like anything I've ever read bout dying. I think that's also why it was so moving. This is most likely what my life is going to be like. Unremarkable, a failure by all accounts but not a wrong one. It's like the antithesis to the stories about grand lives with some overarching meaning or purpose. There was nothing grand about Stoner's life and there most likely won't be anything grand about your life either. It's a life, nonetheless, and it's yours. This book isn't saying anything as banal as 'life is what you make of it' or some other commonplace phrase. It's not telling you to grab life by the horns otherwise you will not be remembered. It was telling me that sometimes life is like this and that's okay. Sometimes life is a failure to outsiders but to the you who lived it, it was something.

I want to reread this book in the future. I know the only reason I couldn't appreciate it as much as I wanted to is because I was distracted by life. Someday, I will be in a perfect time and place for it.

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I didn't think I'd be finishing anything else this year, me being swamped with work on top of being a slow reader. I managed to sneak in this book before the year ends and I'm kind of bummed about it. I already listed my top 5 books of 2022 so this book didn't make the cut. Not because it's not amazing but because I finished it too late. At the same time, you know how the books that started your year barely makes the cut for year-ender lists just because you read them "too long ago"? I suspect this book won't make next year's cut, either, because I read it too early. Dilemmas, dilemmas. Am I even making sense or is this a problem that only I have? (Speaking of top 5 books, it would have made more sense to post it here rather than instagram, I just realized. Oh well. I didn't have much to say anyway other than one short paragraph. To be honest, even though I read more this year, I feel like the quality of the books I read last year were better.)

Anyway, if you haven't already guessed, I thoroughly enjoyed this book. It was so long but at no point did it feel like a chore to get through. The story spans generations so I suppose that's one reason why it never got boring. I just realized how much I actually enjoy family sagas. There is something so satisfying about piecing together different lives and seeing how it all connects. I honestly couldn't tell you an accurate summary of this book because I feel like it contains so much. Central to the story is history. Ailey traces back her family's history and, in doing so, we feel her anger and her sadness, but we also feel her pride. Her family's history is of course closely intertwined with America's racist history and it was painful to read at times.

Another thing that I thought was interesting about this book was its depiction of the casual misogyny in the family. Even the men in Ailey's lives who we see are honorable casually dismiss her when she brings up the fact that women are being excluded from the conversation.

I don't really have much to say other than I enjoyed reading this a lot. Sometimes I find that I have more to say about books that I don't like compared to books that I did enjoy. If you are intimidated by the sheer size of this book, don't be. It honestly didn't even feel like 800 pages. The prose has a certain lyricism to it that makes it easy to just glide through.

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I started this book while I was on a spontaneous weekend trip. Reading it in a different city, surrounded by art and nature that I normally don't get to encounter in my hometown really elevated the experience for me. Not that this book required much atmospheric or scenic help. Truth be told, I read much of it back home but I still felt different, as if life could be so much more.

This book reminded me of the movie Kill Your Darlings. I'm not one for movies but I loved watching these people whose lives revolved around their art. Just Kids had the same effect on me. I was completely drawn to the image of artists who want nothing more in life but to make art, people who were surrounded by art and seem to have a magnetic attraction to others who were just as invested in their craft. The portrait of a struggling artist is one that I am enamored by. I know it's completely romantic on paper and probably only in retrospect. I imagine the financial struggles are not as dreamy when you are actually living in those moments. Nonetheless, I am drawn to it and I love reading about people who make a name for themselves out of sheer passion. I have always harbored a disdain for my mediocrity. I have a completely unrealistic dream of my name being immortal, leaving something for the world long after my death so that only a portrait of me, shorn off of my ugliness, remains. Stories like this help me live vicariously through them because I know in my heart that I will never be great.

I think that's also the thing that I really appreciated about this book - the unapologetic self-assurance. Patti and Robert never doubted their artistry. They were proud of their work even when they had only each other as audience. The question of recognition to them was only a matter of when, not if.

I love stories of passion and love and art. It's not a world that is open to me as I have never been passionate about anything in my life. I have love to give but I do not possess the necessary vulnerability to express it. Art I have always chased after but never fully gotten ahold of. These things are unattainable to me, which is precisely why I love them so much.

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This book hits so close to home. If you had told me that Glory is about my home country I would have believed you. The parallels between my country and Zimbabwe's experiences of neocolonialism and corruption is truly uncanny. The anger I felt while reading some sections of this book was so palpable. I couldn't even comfort myself by thinking that this is purely fictional because I've seen these things happen in real life. I admit I've never paid attention to Zimbabwe's politics (although I did vaguely recall the 2019 internet shutdown trending. Unless that was another country's protests resulting in a similar internet shutdown in which case the world is a bitter place where horrible people rule and exchange ideas on how to maximize the misery of others). However, the scenes remained familiar to me. My country's previous president also used to invoke hatred for the west to cover up his human rights abuses and incompetence. I am also a staunch hater of the west just like Glory's dictators but refusing to be puppeteer-ed by the west isn't enough. It should be accompanied by a genuine empathy and radical love. Otherwise, every single one of us who were once colonized and are now shackled by neocolonialism will forever be stuck with people who claim lip service to lofty ideologies that they only use as rhetoric to gain support and fatten their own pockets. My country's current president is the breed of animal who has no ideologies and is clearly only there to maintain his family's power and wealth. I could draw so many more similarities. Religion numbing citizen's anger by teaching resilience, by creating another world where everything is so good that it would make your suffering in this world somehow worth it, by teaching forgiveness to a fault. Regionalism. Police violence. People with one foot out of the country.

The ending was truly uplifting and I only wish that my own country can finally band together to demand for the things that are rightfully ours. I say that but I am complicit by virtue of my passivity. Nevertheless, I truly wish that I can live to see and participate on that day. I initially thought that the choice to present the characters as animals ala Orwell's Animal Farm was perhaps a little unnecessary. Now I think that it works quite well because it blunts the violence in the novel. I mean, if I wanted to read about the brutality of dictators, I would just read the news. Nevertheless, I do agree with some of the reviews that the novel is a tad long for what it's trying to say. I don't mind long novels at all but this one could benefit from a little bit of trimming. Another stylistic choice is the constant repetition of words and phrases to drive a point home. Now this is one style of writing that I absolutely detest. I understand that repetition can be lyrical but as someone with an attention span of a toddler, it's not my favorite. It was annoying at first and it required some getting used to but it didn't bother me as much as I thought it would. It was actually quite lovely at times.

I really enjoyed reading this book and I appreciate the weight of its themes. However, much like Orwell's Animal Farm (or even 1984), I won't be coming back to this. That is, I'm glad I read it and it will certainly stick with me but I don't think I can list it as a favorite.

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This book is lucky it has a really beautiful cover otherwise I wouldn't have shown interest on it. I'm confused about why exactly people find this good. I'm not saying it's horrible either but it's a 3-star book at most. Did I read this too fast? Did I miss some nuances in my desire to finish it in one day? I do admit I sped through the last playground scene. It was a bit much with little to no merit to it. If it did have something to say, I see that there is no way I could have agreed with it.

Is this book supposed to be poignant? Am I supposed to relate to any of these character's world view? If there is any character whose viewpoints I could sympathize with, it would be the main character. I felt happy that he took steps to fix what he wanted to be fixed. I can't accuse him of cowardice for not standing up to his bullies all this time. It was brave of him to confront Momose, unlike Kojima whose entire philosophy seemed to be to just bear every bullshit life throws at you. I'm sorry but I know a lot of words were wasted on her trying to explain herself but in the end, I still don't understand her. Maybe it's because I live in a country where everyone is constantly self-flagellating as a way to appease their Christian guilt that I just find anything that even remotely smells of self-pity and forbearance for forbearance's sake mildly disgusting. What was her point anyway? That it's okay to suffer because her suffering has meaning? On the other side of the spectrum we have nihilistic Momose who thinks suffering has no meaning so whether you suffer or not doesn't matter. He reminds me of Camus' Meursault. I am inclined to agree that life is meaningless but to deliberately ignore the suffering that your actions bring just because life is meaningless? I feel like anything I say to counter that would just be falling right into Momose's trap. He would hit me with a "Gotcha! That's exactly why being an asshole is permissible!" What a horrid and very interesting character.

I guess over all I'm just confused about what the book is trying to say and who it is talking to. The ending certainly seemed very hopeful which I appreciate but it was overpowered by the pervasive nihilism throughout the book. I'm obviously not saying that only happy and positive books can be considered good but the message here is a bit murky. I'm trying to read reviews for it but my toxic trait is that I only want to read negative reviews of things I don't like so that I can feel validated about my opinion and so far, people seem to really love this book. Maybe it's time to see what others have to say, even the positive ones. Maybe I AM missing something. I'll update you if I change my opinion. Or not. Who gives a shit, right, Momose?

EDIT: I just read an amazing review that really pushed the scales out of my eyes. I didn't even know a "novel of ideas" was a thing! So that's what books like these are called. This is why you always refer to people who are smarter than you before spouting bullshit. Anyway, I change my mind. This book isn't bad. It's not supposed to have a 'message' because it's exploring Nietzschean ideas. I am genuinely amazed! I should read book reviews more.

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(As soon as I woke up, writing this entry is the first thing I'm doing. See how committed I am to this? I am having difficulties navigating dreamwidth, though. As a a hag, it is very difficult for me to learn new technology. My brain just refuses to understand anything, at least not with the same ease as 10 years ago. I can't seem to type down anything when I'm in the "post" page. I'm doing all this in quick update section of the homepage. My dedication to this challenge I've set up for myself is truly astounding me.)

I severely misjudge this book. As a resident scrooge and hater of romance, I thought this book was going to be romantic relationships. I frankly didn't want to be seen reading this in public (not that I ever go out just to hang out these days) because I have a street cred to uphold. I didn't even want to read this book in the first place but due to circumstances mentioned in the previous post (i.e wanting a fun and light read to get away from the miserable and dark life that I am living), I thought, "Why not?"

I am humbled to say that this might make it into my top 5 books of the year. (I only ever choose top 5 because I frankly don't read enough books to make a top 10 list. I am slow reader. I am a busy person. I do not have the brain capacity to make a top 10 list.)

This book is by no means about romantic relationships. Or at least not solely. Dolly's journey through the vicissitudes of romance eventually leads her to the profound realization that friendship is love. Friendship is perhaps love that runs deeper than romance and lust. The chapter Homecoming is basically a love letter to all her girl friends and it made me equal parts happy and so fucking sad. I have lost a lot this year. I don't think I have a single friendship left. It hurts to admit that the friendships I thought would last me a lifetime now runs so tepid. It hurts even more when there is not great or dramatic fall out. It was just a natural progression of life. I could blame myself for not reaching out more; for refusing to be vulnerable or being afraid of reaching out when I need it. Perhaps in my insistence to avoid being a nuisance, I've alienated my friends when what I want most is to be comforted. Reading about how much Dolly loves her friends and has managed to keep her relationship with them made me yearn for a time when I could also confidently express the same. I still love my friends but everything is different now. Tiny, imperceptible shifts have now compounded to something so huge that it is looming over my head: the realization that I have truly no one in this world. I hate to be dramatic but that is the theme of my this current period of tumultuousness of my life.

That aside, I couldn't quite relate with Dolly's experiences. I've never been a wild person. I've never had the desire to go out and party. I've never thought of a night out drinking as a fun or exciting activity. I've never been in a relationship much less have romantic exploits. I've always been mediocre. I've always lived a mundane life full of schoolwork and now, work. Has anyone similar to me (in the sense that I'm a boring bitch) ever written a memoir? I would love to see how someone can spin something out of the mundanity of this life I'm living.

The last parts about Dolly's fear and finally, acceptance of turning 30 made me feel scared but also somehow relieved? I'm 26 and I'm already worrying about getting older. I'm relieved that someone is telling me the worry is premature. I should wait until my 29th to start beating myself up about the inevitable procession of time. At the same time I'm scared because I understand what she was afraid of. I understand the fear of doors closing. I understand the fear of not achieving anything amazing anymore because everything you do at 30 is just normal shit that 30-year olds should be doing. Not that I think I will ever achieve anything remarkable even if you give me 20 years to live out my 20's. I firmly believe that I would still be the same sad sack. But the fact that even the possibility is permanently over is what's scary and depressing and frustrating.

I love this book best when it's not talking about boys and romance. Although I feel like a lot of the parts necessarily have to have romance and boys as preliminary to whatever it is she really wants to talk about. I think I want to revisit this book in the future. Maybe I'm a late bloomer. Maybe I'll start to understand her obsession with romantic love when I'm 30, who knows. But for all the other parts, I feel like I know her and I understand her.

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(I'm not sure how well I can keep this up. A quick skim through my page will tell you that I created this space to write book reviews. That lasted a glorious one post before I gave up. To be fair to me, I was going through a lot earlier this year. I'm still going through a lot but in a completely different category of "a lot". Both are equal shitty times and I'm not sure that I see any semblance of light at the end of the proverbial tunnel. I've decided to once again pick up book reviewing as a way to distract myself. I am hoping it works. I am also hoping that I can keep this up. Also, I call this a "review" but really I'm just talking about my experience with the book. There won't be any formal assessments because that is frankly out of my depth. I'm just a reader.)

During the first tumultuous half of this year, I drowned my misery by buying a bunch of secondhand books despite the fact that I could barely afford it. Shuggie Bain is the last book that I read out of all those because I heard that it's a depressing read and I didn't want to be even more miserable than I already was. Now that I am out of that pit and into another pit, I thought I couldn't put it off any longer. Turns out I'm perhaps still unprepared for Shuggie Bain. Why am I reading a miserable fucking book when I'm already living a miserable fucking life? 

Reading Shuggie Bain is like having someone repeatedly punch you in the guts. In the brief moments of peace you are nevertheless clenching your teeth waiting for the barrage of punches to resume. Unlike A Little Life, though, where it felt like misery for misery's sake, the struggles of poverty and alcoholism feels more raw. There is a claustrophobic quality to living in poverty that was so tangible in the book. The characters never once felt like caricatures. Agnes, especially, with her insistence of keeping a façade of normalcy and even grace when it is obvious to everyone that what is truly going on. Shuggie and his abundance of love for his mother but also perhaps the pride of being a martyr, the slight resentment at having "touched it last". Leek wanting to get away from it all but waiting until the very last straw before he left because despite everything, there is still love in him. Douglas Stuart did such a good job of showing these contradictory emotions and giving his characters depth, a life of their own. There were moments of love and hope that you just want to keep close as proof that sometimes life has something more to offer.

Time flows when you read this book. I just wish I read it at a less difficult time of my life.  

m_oonmoon: (kyouya)

My first Cusk happens to be a confusing one. I've been drawn to her works primarily because of the gorgeous covers. I admit I dived into this one with hardly any background knowledge other than seeing it on someone's best of 2021 list. (To be fair, though, it really doesn't take much for me to include a book into my mental TBR list. I only need one person to recommend it. I don't even need to know their reason for recommending it - as long as I respect the person enough then I will gladly read anything they recommend. All this to say that I have had a lot of misses throughout the year because I do not know how to curate my list.) I had no expectations, good or bad, for this book so I can't say I'm disappointed per se. I'm just confused, I guess.

Second Place has some good moments and I often found myself connecting with the main character in unexpected ways. My problem is that it takes awhile to get to that understanding. Perhaps it's the way Cusk writes or maybe the problem lies with me and my resistance to obfuscation of language in the name of artistry, but I found myself having to read some lines several times before it starts to make an iota of sense and sometimes even then, the point still eludes me. I would have tolerated this if the work was atmospheric enough that I could go on with feeling my way through it but it failed to that as well. The only feeling I get was weariness because the characters were neither real enough to feel relatable or unreal enough to be magnetizing.

The story (if it even matters) takes place in a marshland where our main character M. invites a painter, L., to her guesthouse because she was once drawn to his art and hopes to have him uncover something in her as well. It sounds uncompelling because the plot really doesn't have much to do with what the book is really about (which is woman makes philosophical observations about her womanhood through her relationship with an asshole stranger, her stoic husband and her daughter).

Regardless, this book has some choice passages that I really liked.

"...about how lonely and washed up I felt, about how he never gave me any real attention of the kind that makes a woman feel like a woman and just expected me to sort of give birth to myself all the time, like Venus out of a seashell. As if I knew anything about what makes a woman feel like a woman!"

Her womanhood is a performance and her lack of audience in her husband throws her out of loop, forces her to define herself in her own terms which she finds herself unable to do. I liked this line mostly for the imagery of birthing yourself, giving yourself form and definition "all the time", every day, every minute as if we are formless blobs that can only take shape once we decide to. I think this part of what makes this book so hard to digest is because you half-expect M. to be a perfect feminist icon because that's such a common trend with mainstream media - this woman who is so in control of her destiny and doesn't allow any man to get into her head - yet here we have M. who almost seeks the male gaze. It gives the reader a pause, a moment to reflect if we are meant to relate to this outburst or not. 

"for Tony a view has a kind of spiritual significance, not as something you describe or talk about but as something you live in correspondence with, so that it looks back at you and incorporates itself in everything you do."

I love this because I am exactly like this.

"But for me there is a healthy kind of talking, though it's rare - the kind of talking through which people create themselves by giving themselves utterance" 

Another example of M. seeking an audience but this time she is creating herself through her own words, her own realizations. Nonetheless, she requires an audience, perhaps as a mirror through which she can see herself, give herself form, to "birth" herself. 

I meant to quote her every line that I had bookmarked but that's too much chore. Anyway, I'm feeling lazy now so I'm going to end it here. Here's to more half-assed "reviews"!

m_oonmoon: (Default)

I finally caved in and made an account. I hope this will inspire me to get back to writing more. It most likely will be a inconsequential ramblings as opposed to actual artistic writings but that's better than nothing, right? (Right?)

I haven't written anything in so long because I have lost the drive and inspiration. This is me taking my fate by the horns something something.

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Dan

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